Dive into the chaotic world of Ab Hoga Hisaab, a revenge drama that attempts to weave a complex narrative of crime and retribution but often loses its way amidst a multitude of bizarre subplots, notes Deepa Gahlot.
Ashwiny Iyer Tiwari's courtroom drama System falls short due to muddled narrative and uninspired execution, observes Sukanya Verma.
Tuner may feel familiar, but its fab sound design, slickly edited heists and strong performances make it feel refreshingly sharp.
Imtiaz Ali's new film Main Vaapas Aaunga is set to delve into the enduring trauma of the 1947 Partition, continuing Bollywood's complex cinematic journey of depicting one of history's most violent and impactful events.
Main Vaapas Aaunga transcends its flaws to deliver a profoundly moving plea for humanity, anchored by heartbreakingly brilliant performances, observes Sreeju Sudhakaran.
Peddi buries its powerful story about caste identity and social inequality beneath hero worship, regressive romance and exhausting excesses bemoans Sreeju Sudhakaran.
Glory juggles its whodunit goals and estranged father-son equation across a hoard of suspects and unreliable allies. The upshot is uneven yet watchable because of the talent on board, notes Sukanya Verma.
The Drama is what you can call a 'feel-bad' romance done right, notes Sreeju Sudhakaran.
Brace yourself for tons of drama on OTT this week.
Indrans' standout performance deserves a sharper screenplay than this over-edited, all-too-familiar revenge saga, rues Sreeju Sudhakaran.
With no emotionally powerful moment or even a standout epic sequence, everything about Supergirl feels strictly functional, observes Mayur Sanap.
A riveting mother-son drama with a superb first half, Balan: The Boy loses some of its grip after an ambitious but uneven turn, notes Sreeju Sudhakaran.
Welcome To The Jungle's moment of truth arrives when Akshay pleads 'Hum sab bhand hain' in the face of fear and power. If only the rest of this slog was as self-aware as this single scene, notes Sukanya Verma.
Ashish R Mohan's Daadi Ki Shaadi, starring Neetu Singh and Kapil Sharma, offers an outdated plot that fails to deliver on humour or emotional depth.
Made in Korea had the potential to be a culturally rich coming-of-age story but settles for a generic template with an underdeveloped location setting, notes Sreeju Sudhakaran.
As Akshay Kumar, Suniel Shetty, and Paresh Rawal reunite for Welcome To The Jungle, here's a nostalgic ranking of every film that brought Bollywood's most beloved comic trio together.
The trailer for System, a compelling courtroom drama starring Sonakshi Sinha and Jyotika, directed by Ashwiny Iyer Tiwari, has been unveiled, promising an intense exploration of justice, privilege, and inequality in modern society.
Kattalan tries to roar like Marco with blood-soaked violence and mass swagger, but ends up as a noisy, identity-less actioner with little bite.
Plot loopholes, unresolved arcs and feeble explanations for cruel betrayals, Kartavya's hastily wrapped conclusions and gabby excuses makes it look like a demo reel for a OTT series
Jackie Shroff is winsome in a role that leans on his faded charm as veteran star, notes Mayur Sanap, and there is effortless warmth he brings to Jagdish that makes even the simplest moments land.
Raju Hirani's films can sometimes feel a little too goofy, but under Avinash Arun's direction, it will be interesting to see how that material lands, notes Mayur Sanap.
Anurag Kashyap, despite his claims of being done with Bollywood, continues to deliver compelling cinema, with his latest film 'Bandar' set to release on June 5.
From Aishwarya Rai's magnetic Nandini to Mrunal Thakur's heartbreaking Sita, these Bollywood actresses proved they could do far more than just play glamorous imports in South cinema.
Kara had the makings of a fine heist thriller anchored by a superlative Dhanush, but a slack screenplay in crucial stretches and an overdose of melodrama ensure it only works in patches, observes Sreeju Sudhakaran.
The fourth season of Undekhi attempts to conclude the saga of the powerful Atwal family but struggles with an overcomplicated plot and a multitude of characters, observes Deepa Gahlot.
From the genius of Drishyam to the misfires of Mirage, here's ranking every Malayalam thriller directed by Jeethu Joseph before Georgekutty returns in Drishyam 3.
They have the exact same outfit in their wardrobes and no, it's not your basic dress.
Lukkhe plunges into Chandigarh's dark underbelly, exploring a drug epidemic, political corruption, and a burgeoning rap scene, though its narrative often feels like a familiar crime drama, notes Deepa Gahlot.
Riteish Deshmukh's Shivaji may not be a flawless portrayal, but still remains engaging throughout, applauds Mayur Sanap.
Vishnu Aravind's Madhuvidhu is a family entertainer that works in parts but falters when its drama turns unconvincing, observes Sreeju Sudhakaran.
Junaid Khan and Sai Pallavi's Ek Din has an intriguing premise that ultimately falters due to weak chemistry and an emotionally underwhelming payoff, discovers Sreeju Sudhakaran.
'We should want Saiyaara, Pati Patni Aur Woh Do, Animal and Dhurandhar to coexist. Let the audience decide what they connect with.'
This Mummy is all sound and fury, signifying nothing, discovers Mayur Sanap.
Dacoit: Ek Prem Katha keeps promising something exciting, emotional, thrilling, only to rob us off of that experience of masala entertainer it teases, sighs Mayur Sanap.
Save yourself a seat on the couch to binge watch these many OTT offerings of the week.
What The Devil Wears Prada 2 does really well is the chemistry between its characters, steered by a very likable cast, observes Mayur Sanap.
Explore a curated list of 10 Indian films that masterfully condense their narratives into a single day, showcasing how limited timelines can enhance storytelling and character development, from thrillers like 'NH10' and 'Kaithi' to comedies like 'Taxi No 9211'.
Everybody Loves Sohrab Handa is a well-acted, smartly written murder mystery with a finely tuned performances from Vinay Pathak and the rest of the cast, notes Sreeju Sudhakaran.
Vaazha 2 grows beyond the shadow of its predecessor by refining its tone, strengthening its themes and delivering more assured emotional beats and performances, notes Sreeju Sudhakaran.
As we await the much-anticipated reunion of Priyadarshan and Akshay Kumar in Bhooth Bangla, Sreeju Sudhakaran looks back at their six memorable collaborations, ranking them by how consistently they deliver on entertainment.
